Hey Andreas,
I’ve seen a lot of Typhoon H videos since the drone came out last year, both from filmmakers and drone enthusiast alike, and I have to say that your video is one of my favorites! It’s very cinematic from start to end, and seems to keep up with the current trend in cinema today (high dynamic range, punchy contrast, and lower saturation). It’s almost hard to believe that it was shot with a CGO3+ camera as there was little to no digital artifacts in the footage. I know that having the Peau lens installed really helps to improve the image, almost to the point where it looks like it was shot in ProRes instead of the built in codec on the raw profile.
I thought the color grading was spot on as well. It was consistent throughout your piece and went well with the camera movement and music. I really liked the shots starting at around 2:23 where you desaturated most of the landscape but kept (or boosted) the blues in the water and sky. I myself use the Lumetri color panel inside of Premiere Pro to color grade my footage, but after looking at your video I can see why Davinci Resolve is the gold standard for colorist.
Keep up the great work and I’m looking forward to seeing what else you have in store for the Typhoon H!